When I walked into OUTLET Fine Art the other night for the opening of Beneath the Skin, an exhibition featuring the pseudo-sculptural objets d’art of Cristin Richard, the incredible beauty and the delicacy of the works immediately struck me. Suspended from the ceiling were translucent garment bags with crimson colored dresses peaking through. A soundtrack of trans-inducing music of Nate Czarling subtly blaring from the other room as I walked amongst the boutique-like surrounding, catching glimpses of my reflection in the high-finish works by Joseph Moore. I was enjoying the seemingly store-like aesthetic of the work around me when, press release in hand, I came to understand fully what I was really looking at.
The rest of this story is for members.
Enter your email to continue.
You’re signed in as .
Not you?


