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Review: Tanyth Berkeley’s Pandemic-Era Portraiture

A New York photographer of city life tries to not capture gentrification.

Review: Tanyth Berkeley’s Pandemic-Era Portraiture
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The title of Tanyth Berkeley‘s most famous photograph carries a certain formal satisfaction, but I’ve always felt unsettled by the intimacy of its glare. “Grace in Window.” The shot broadcasts the translucent skin of its subject like a beacon flashing urgently across a moon-lit pool. But the title puts her in her place. It exemplifies Berkeley’s early work – the extraordinary among the ordinary – and it was the centerpiece of her appearance in an exhibition of new photographers that took place at the Museum of Modern Art in 2007. A critic at the New York Times likened the model – a recurrent muse named Graciella Longoria – to “an ethereal alien” and said she exemplified Berkeley’s work inside “the Diane Arbus school.” 

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Featured image taken by Andrew Karpan.

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