“Cinderella” Is a Sexy, Gender-Fluid Twist on a Childhood Tale That You Must See in Bushwick

A review of Austin McCormick's latest titillating work for the theater.

“Cinderella” Is a Sexy, Gender-Fluid Twist on a Childhood Tale That You Must See in Bushwick
Earlier this year, Austin McCormick’s Company XIV gave theater-lovers a sexy twist on a childhood tale with “Nutcracker Rouge,” a cocktail of circus, vaudeville, and burlesque served with a glittery garnish and lots of skin. The performance, which has since become a staple of the troop’s sultry repertoire, established McCormick as a master entertainer whose productions dance with good taste and debauchery. His most recent work, “Cinderella,” belongs to this lineage of G-rated stories gone naughty. “Nutcracker Rogue” showed us what the ballerinas wore under their tutus; “Cinderella” makes us wonder, “What else can we do with a glass slipper?”

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