Conversation of Change: Transitions V.2 at Associated Gallery

Conversation of Change: Transitions V.2 at Associated Gallery

A cozy room houses eight artists of multiple mediums but of similar concerns. Despite its intimate stature Transitions V.2 at Associated Gallery speaks volumes. In The Active Space building on a quiet block of busy Johnson Ave, this artist-run gallery held an open call and from this invitation, a community of artists unbeknownst to themselves found a single voice and in tandem protest our age of ecological concerns (Grobstein, Shu, and Oates), free-market capitalism (Henry), simulacrum technology (Zapata and Moore), and profit-centric art economics (Niemeier and Johnson).

Conversation of Change: Transitions V.2 at Associated Gallery
Jocelyn Shu, “Chapter One,” 2012-13, mixed media, 84″ x 16″ x 16″ (GIF courtesy of Danielle Kalamaras for Bushwick Daily)

The nuances in style do not undercut the conversation and notably this subversive art is paired with political protests through the written word. Pick up a press release as you peruse and hear the cries of an adrift generation pry into the sublimated problems contradicting society today—whether social, political, or economic, artists in Transitions V.2 dive into dissent to question age-old ethics—change through action rather than blind acceptance.

Conversation of Change: Transitions V.2 at Associated Gallery
Joseph Moore, “Mimicry and Legendary Psychasthenia: Frog/Computer/Studio,” 2013, archival inkjet from film negative, 17″ x 22″

Our age is instantaneous because of advanced technology yet the diversity of life is not egalitarian but confusing. In Joseph Moore’s Mimicry and Legendary Psychasthenia:Frog/Computer/Studio is technology-ception—a photograph of a screen of a stock photo of a frog on a leaf-where is the origin in a hyperreal world? Sarah Zapata’s Entry Way Mat – Please Wipe Feet is an anthropomorphic receptacle too ornate to use, critiquing Technology’s invisible fist overriding action—draining thought from active choices to meaningless tasks. Transitions V.2 artists stab technology because it is hustling lives to a monotonous pulse. An age of diverse options, and because we are able to, we do—this wavering willingness is not active choice but acceptance—a way to ride the wave blind.

Conversation of Change: Transitions V.2 at Associated Gallery
Sarah Zapata, “Entry Way Mat – Please Wipe Feet,” 2013, paper pulp, cotton thread, nylon thread, paint and plastic bath mat, 60″ x 24″ x 9″

A sense of community without the veil of utopianism is refreshing—in accordance, critical art that is not fatalist is necessary. Being critical is a step towards change. To transition can be involuntary—one may drift through time, accept circumstances, doomed to the unfulfilling indeterminacy of today. Transitions V.2 artists are making art and doing something about it.

Transitions V.2 is on view through February 2, 2014 at Associated Gallery.  Saturday and Sunday 1-6PM.


Bushwick’s Theater Scene Heats Up with “What We’re Up Against” at Gracemoon Theater (Review)

Bushwick may be synonymous with street art and its thriving DIY scene, but a burgeoning theater movement is quietly taking root in the neighborhood....

Explore Identity and Healing at Mil Mundos Books’ Interactive Poetry Event Tonight

Bushwick Author Samy Nemir Olivares Invites You to Co-Author Their New Book
-Advertisement-

Do you know Bushwick designer Mike Wright?

Michael Wright's New Drop Will Have You Feeling Like Family Bushwick-based fashion label Michael Wright Collection just unveiled its latest...

Expose your thoughts