Nowadays, it seems as if the art world is completely dictated by the hierarchy of the white wall industry, being compartmentalized into prices and trends, tossed around by gallerists. Jean-Michel Basquiat and Keith Haring’s New York seems to have fallen victim to commercialized art spaces, wiped clean of anything that can be accepted as just art, rather than an Instagram photo or material item.
This story continues: 670 more words
Enter your email to read the full story.
It’s free. We’ll email you a code to sign in. No password, no payment.
